Since 1994, Turner Classic Movies has been a haven for old film lovers. Now with Skydance’s David Ellison calling the shots, fans are panicking over its unclear futureI have made many attempts to lessen the existential disaster we call Tuesday – tacos, trivia – but lately only one thing works. Every night just before 8pm, I hide my phone under a pillow in the next room, plate up a carb-heavy dinner, and turn on Turner Classic Movies (TCM) for Sweater Weather, a series of films dedicated to the transitional season.Every Tuesday in October, Alicia Malone, an affable Australian film historian wearing business casual and a flippy bob, introduces a double feature. These are often midcentury melodramas featuring striking leads, serpentine plots, and the burnt hues of fall rendered in indulgent Technicolor. Like All That Heaven Allows (1955), about a widow who finds herself crushed under the weight of 1950s suburban conformity – and the teeny waistline of her swing skirts – while nursing a crush on her much-younger gardener. Or Leave Her to Heaven (1945), about a beautiful socialite so obsessed with her hapless husband that she will kill anyone who threatens their bond. Continue reading...